Why it Fails and

How to Fix!

If you’ve ever tried adding movement to your elementary music classroom only to have the class somehow become more chaotic, you’re not alone.

A lot of music teachers are told to “just add movement,” but nobody really talks about why movement sometimes works beautifully and other times completely falls apart. The truth is, most of the time movement itself is not the problem.

The problem is that the movement was never designed to support learning, engagement, or behavior in the first place.

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Over the years, I have learned that movement is not an extra activity. Movement is instruction.

When used intentionally, movement can become part of:

  • Classroom management
  • Student engagement
  • Lesson transitions
  • Music literacy
  • Behavior prevention
  • Student regulation

And honestly, that’s where the magic happens.

Movement Should Support the Music

One of the biggest mistakes I see teachers make is treating movement like a reward or filler activity.

“Let’s dance around for a minute!”

Will students move? Absolutely.

Will it necessarily help learning? Not always.

Instead, I try to connect movement directly to the musical concept I’m teaching. If we’re talking about dynamics, students can show loud and quiet with their bodies. If we’re talking about articulation, students can move in smooth, flowing motions for legato or quick, bouncy motions for staccato.

Suddenly those musical terms stop being abstract vocabulary words and become something students can actually feel.

Not All Movement Is Equal

Some movement helps students focus.

Some movement accidentally creates chaos.

The difference usually comes down to purpose and expectations.

For example, if I simply tell students to get up and dance, the energy level may shoot through the roof. But if I ask students to listen for whether music is:

  • Loud or soft
  • Fast or slow
  • Smooth or bumpy

and then move in ways that match what they hear, now the movement has a job. Students are actively listening while they move.

One of my favorite examples is using Giraffes Can’t Dance. Before students move, they listen carefully and identify the musical characteristics. Then their movement becomes part of the learning instead of a break from the learning.

Don’t Wait Until Things Fall Apart

This might be one of the biggest changes I made in my own teaching.

Many teachers wait until students are already off task before introducing movement.

By then, it can be too late.

You know the signs:

  • Side conversations
  • Students touching neighbors
  • Wandering attention
  • Restless bodies

At that point, the class is already beginning to spiral.

Instead, movement works best when it prevents behaviors rather than reacts to them. A quick 30-second participation movement can often reset an entire class before problems ever begin.

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That means you can explore everything risk-free and see if it fits your classroom.

Movement Doesn’t Always Need to Be High Energy

Another misconception is that movement has to mean running, jumping, and burning energy.

Sometimes the most effective movement is actually calming.

Think about:

  • Conducting music
  • Tracing musical shapes in the air
  • Seated body percussion
  • Scarf movement to calm music
  • Breathing with musical phrases
  • Simple hand motions

The goal isn’t to keep students at a constant energy level of 100.

The goal is helping students engage with the music in a meaningful way.

Stop Adding Movement—Start Building Around It

One shift that completely changed my teaching was realizing that movement shouldn’t be something I add at the end of planning.

Instead, movement should be built into the lesson from the beginning.

Rather than asking:

“What movement break can I throw in?”

I started asking:

“How can movement help students learn this concept?”

When movement is woven directly into instruction, it stops feeling like one more thing on your plate and starts becoming one of your most powerful teaching tools.

The Best Movement Activities Take Less Than 30 Seconds

Teachers often assume movement needs to be elaborate.

It doesn’t.

Some of my favorite classroom tools are:

  • Rhythm echoes
  • Call-and-response patterns
  • Quick standing and sitting responses
  • Shape tracing
  • Body percussion
  • Phrase poses
  • Simple rhythm jumps

These small moments, used consistently, often have a much bigger impact than occasional large movement activities.

Looking Ahead to Next School Year

If you’re watching the summer months approach and already thinking about how you’d like next year to feel different, now is the perfect time to start planning.

That’s exactly why I created the Soaring Summer of Free.

Throughout the summer, I’ll be sharing ideas about:

  • Intentional movement
  • Behavior prevention
  • Student engagement
  • Movement-based lesson planning
  • Sustainable classroom systems

You’ll also be able to explore the full Soaring Scarves Academy curriculum for two free months, giving you time to collect ideas, favorite lessons, movement activities, assessments, and classroom strategies before the school year even begins.

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Final Thoughts

If movement has ever felt overwhelming, frustrating, or like it simply doesn’t work with your students, I want you to remember this:

Movement is not the goal. Learning is the goal.

The most successful movement activities aren’t the biggest, loudest, or most exciting. They’re the ones that help students understand a concept, stay engaged, regulate their energy, and participate fully in the music-making process.

Start small. Keep it intentional. And remember that even a 30-second movement moment can completely change the energy of your classroom.

Happy playing,
Leanna O’Brien
Founder of The Soaring Scarves Academy

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